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View all SUVs →This Turin-based design house transformed automotive dreams into metal and glass since 1912, crafting bespoke bodies and visionary concept cars that defined generations of style. Bertone didn't follow trends—they created them, obsessing over form with a craftsman's precision that influenced the entire industry. From hand-sculpted clay models to iconic sports cars, their legacy proves that true design comes from conviction, not convention.


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Bertone didn't just design cars. They invented automotive dreams. Founded in 1912 by Giovanni Bertone in Turin, Italy, this wasn't some factory pumping out anonymous vehicles — it was a design house where vision mattered more than convention. A young coachbuilder with wild ideas, Bertone took commissions from manufacturers desperate for something different, something that would turn heads at the Concours d'Elegance. By the 1950s, he'd become the man everyone called when they needed a car that looked like the future.
What separated Bertone from other design studios? Obsession with form. Pure, unapologetic obsession. They didn't follow trends — they created them, building clay models that influenced entire decades of automotive design. The GB110, their mid-engine sports car from 1994, embodied this philosophy perfectly. Low, aggressive, geometrically precise — it represented Bertone's last hurrah as an independent design force before the industry consolidated and swallowed smaller houses whole. Think about that for a second. A company that shaped how we see cars, eventually couldn't survive in a market obsessed with spreadsheets.
Today's Bertone catalog reflects both heritage and ambition. The Freeclimber concept showed they weren't finished dreaming — a bold reinterpretation of the SUV concept with retro-futuristic styling that split opinion completely. Love it or hate it, you couldn't ignore it. Browse their SUV offerings to see where modern Bertone sits in today's market. From concept cars to limited production runs, they've remained true to one principle: make something beautiful, make it different, make it matter. In an industry drowning in beige practicality, that's revolutionary.
Bertone started in 1912 when Giovanni Bertone opened a small coachbuilding workshop in Turin, Italy. A craftsman's dream, really. He saw opportunity where others saw routine—taking bare chassis from manufacturers and transforming them into bespoke bodies for wealthy clients. Turin was the epicenter of Italian automotive ambition, and Bertone positioned himself perfectly within that ecosystem. By the 1920s, the workshop had grown from a one-man operation into something genuinely respected in European circles. Think about that era: no computers, no wind tunnels, just talented designers and metalworkers creating beauty by hand.
The early decades were about survival and reputation-building. Bertone worked with various manufacturers—Fiat, Lancia, Alfa Romeo—crafting special bodies for limited production runs and racing cars. Then came World War II, and like so many Italian firms, the workshop was decimated. Bombed. Dismantled. Everything lost. But Nuccio Bertone, Giovanni's son, rebuilt it from absolute nothing in 1946. That's not hyperbole—he literally restarted with salvaged equipment and sheer determination. The post-war years saw Bertone establish itself as one of Italy's premier design houses, creating bodies for manufacturers who couldn't afford their own design departments. Small contracts at first. Then bigger ones. By the 1950s, Bertone wasn't just rebuilding cars—they were reshaping Italian automotive identity.
Breakthrough moment arrived in the late 1950s and early 1960s. The GB110 and other Bertone-designed bodies proved that independent design houses could compete with factory studios. Nuccio had vision—he understood that styling wasn't decoration, it was storytelling. His designs for Lancia, Alfa Romeo, and others won international competitions and captured imaginations. Racing heritage mattered too. Bertone designed and built race cars that competed at Le Mans and other legendary venues. Everything changed when major manufacturers started acquiring Bertone's services not just for special editions, but for entire production lines. That's when you know you've truly arrived.
Growth accelerated dramatically through the 1970s and 1980s. Bertone became the design partner for some of Europe's most exciting cars—Lancia's radical wedge-shaped models, Fiat's cutting-edge concepts, and ambitious one-offs that pushed design boundaries. The company expanded beyond coachbuilding into full design services, consulting, and prototype construction. Their design philosophy—bold, geometric, sometimes controversial—defined an era of Italian automotive expression. Not everyone loved every Bertone creation. Some designs aged poorly. But you couldn't ignore them. They made statements. They provoked discussion. That's the mark of genuine design talent, not just trend-following.
The modern era proved challenging for traditional coachbuilders. Economic shifts, consolidation in the automotive industry, and changing manufacturing paradigms squeezed independent design houses. Bertone struggled through the 1990s and 2000s, eventually filing for bankruptcy in 2014 after a series of failed ventures and management troubles. Today, the legacy endures through iconic designs and the electric lineup representing attempts at revival. One hundred years of Italian design excellence—that's the real story. Not every chapter ended perfectly. But the imprint on automotive history? Permanent.
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Bertone shaped automotive design for nearly a century — from sleek Italian sports cars to bold concept vehicles that made the world stop and stare. The studio's influence didn't fade when production ended; it echoed through every designer who studied their work, every engineer who marveled at their proportions. Want to explore what Bertone actually built? Check out their SUV models and rare electric vehicles. That's where the real story lives — in the metal, the details, the dreams that became reality.
Bertone operates with a focused lineup of just two models: the Freeclimber and GB110. It's a lean approach, but that's intentional. Rather than spreading resources thin across dozens of variants, they've concentrated on quality over quantity. Both vehicles represent distinct market segments, giving buyers real choice without overwhelming complexity. Want to see the full range? Check their SUV lineup.
Bertone was established in 1912 in Turin, Italy by Giovanni Bertone. Started as a coachbuilding workshop — think custom bodywork for wealthy clients. Over a century later, that heritage still defines the brand. From hand-crafted coach bodies to modern vehicle design, Bertone's DNA is all about bespoke craftsmanship and Italian style. Not many automotive companies can claim that kind of lineage. This history shapes everything they build today, whether you're looking at their sedan offerings or contemporary models.
Italian design excellence. That's it. Bertone didn't build their reputation on complex tech — they built it on pure styling and craftsmanship. Every car that leaves their design studios carries that Turin aesthetic: clean lines, proportional balance, understated elegance. They're not chasing horsepower wars. They're creating objects you want to look at. In a world obsessed with specs, Bertone remembers that cars are also art. Take the GB110 — it's proof that thoughtful proportion beats trendy complexity every time. That philosophy runs through their entire portfolio, from concept to reality.
Not yet, but the conversation's happening. Bertone hasn't launched a fully electric model into their current lineup, though the industry momentum is impossible to ignore. Given their heritage in design and craftsmanship, an electric Bertone would be fascinating — imagine that Italian elegance with zero-emission performance. The brand's watching the market carefully. When they move, it'll likely be deliberate, not rushed. You can explore their current electric vehicle options to see what's in development.
Between the two current models, the Freeclimber has gained real traction. It speaks to modern buyers who want capability without sacrificing style. The Freeclimber offers that sweet spot: practical, visually distinctive, and unmistakably Bertone. The GB110, meanwhile, appeals to enthusiasts who prioritize design purity. Both have their audience. Neither's a volume-seller in the traditional sense, but that's never been Bertone's game. Quality over quantity. Always has been.
Turin, Italy — where it all started in 1912. That location matters more than you'd think. Turin's automotive heritage shaped Bertone's entire identity. It's not just an office location; it's the creative heart of everything they do. Being rooted in Italy's design capital means access to craftspeople, engineers, and aesthetic traditions that go back generations. That's not something you can replicate anywhere else. Every vehicle they produce carries that Turinese DNA.
Source: Bertone (official), Ministero dei Trasporti - Motorizzazione Civile, Wikipedia, ANFIA (Associazione Nazionale Filiera Industria Automobilistica), Museo Nazionale dell'Automobile di Torino·Last updated